[{"data":1,"prerenderedAt":74},["ShallowReactive",2],{"$fiykJJ9lPKwjcmCeZ51WhWcv3hW3SoWk-jGOTwFqKPIY":3},{"heritage":4,"country":28,"related":33},{"id":5,"nameJa":6,"nameEn":7,"nameKo":8,"descriptionJa":9,"descriptionEn":10,"descriptionKo":11,"category":12,"countryCode":13,"region":14,"latitude":15,"longitude":16,"dateInscribed":17,"isInDanger":18,"criteria":19,"image":22},945,"チャトラパティ・シヴァージー・ターミナス駅","Chhatrapati Shivaji Terminus (formerly Victoria Terminus)","차트라파티 시바지 터미너스(구 빅토리아 터미너스)","ムンバイにあるチャトラパティ・シヴァージー・ターミナス駅（旧ビクトリア・ターミナス駅）は、インドの伝統建築に由来するテーマを融合させた、インドにおけるヴィクトリア朝ゴシック・リヴァイヴァル建築の傑出した事例である。イギリス人建築家F.W.スティーヴンスが設計したこの建物は、「ゴシック都市」としてのボンベイとインドの主要な国際商港の象徴となった。1878年から10年をかけて、後期中世イタリアのモデルに基づくハイ・ヴィクトリアン・ゴシック様式で建設された。その見事な石造のドーム、小塔、尖頭アーチ、独特な平面計画はインドの伝統的な宮殿建築に近い。イギリス人建築家がインドの職人と協力してインドの建築の伝統と慣用を取り入れ、ボンベイ独自の新しい様式を生み出した、二つの文化の出会いの傑出した事例である。","The Chhatrapati Shivaji Terminus, formerly known as Victoria Terminus Station, in Mumbai, is an outstanding example of Victorian Gothic Revival architecture in India, blended with themes deriving from Indian traditional architecture. The building, designed by the British architect F. W. Stevens, became the symbol of Bombay as the ‘Gothic City’ and the major international mercantile port of India. The terminal was built over 10 years, starting in 1878, according to a High Victorian Gothic design based on late medieval Italian models. Its remarkable stone dome, turrets, pointed arches and eccentric ground plan are close to traditional Indian palace architecture. It is an outstanding example of the meeting of two cultures, as British architects worked with Indian craftsmen to include Indian architectural tradition and idioms thus forging a new style unique to Bombay.","뭄바이에 위치한 차트라파티 시바지 터미너스(구 빅토리아 터미너스 역)는 인도 전통 건축의 주제와 혼합된 빅토리아 고딕 부흥 건축의 탁월한 사례이다. 영국 건축가 F. W. 스티븐스가 설계한 이 건물은 '고딕 도시' 봄베이와 인도 주요 국제 무역항의 상징이 되었다. 이 터미널은 1878년부터 10년에 걸쳐 후기 중세 이탈리아 양식에 기초한 하이 빅토리안 고딕 설계에 따라 건설되었다. 주목할 만한 석재 돔, 탑, 뾰족 아치, 독특한 평면 구성은 전통 인도 궁전 건축과 유사하다. 영국 건축가들이 인도 장인들과 협력하여 인도 건축 전통과 관용구를 포함시킴으로써 봄베이에 고유한 새로운 양식을 만들어 낸 두 문화의 만남을 보여주는 탁월한 사례이다.","Cultural","IND","Asia",18.9401222222,72.8362027777,2004,false,[20,21],"ii","iv",{"url":23,"author":24,"license":25,"licenseUrl":26,"sourceUrl":27},"https://d1irxcpmeew2vr.cloudfront.net/heritage-commons/945.jpg","Rangan Datta Wiki","CC BY-SA 4.0","https://creativecommons.org/licenses/by-sa/4.0","https://commons.wikimedia.org/wiki/File:Chatrapati_Shivaji_Terminus_Pano.jpg",{"code":13,"nameJa":29,"nameEn":30,"nameKo":31,"region":14,"flagUrl":32},"インド","India","인도","https://flagcdn.com/w160/in.png",[34,39,44,49,54,59,64,69],{"id":35,"nameJa":36,"nameEn":37,"nameKo":38,"category":12},231,"レッド・フォート（赤い城）","Red Fort Complex","레드 포트 복합 단지",{"id":40,"nameJa":41,"nameEn":42,"nameKo":43,"category":12},232,"フマーユーン廟（デリー）","Humayun's Tomb, Delhi","후마윤의 무덤, 델리",{"id":45,"nameJa":46,"nameEn":47,"nameKo":48,"category":12},233,"クトゥブ・ミナールとその建造物群（デリー）","Qutb Minar and its Monuments, Delhi","쿠트브 미나르와 기념물군, 델리",{"id":50,"nameJa":51,"nameEn":52,"nameKo":53,"category":12},234,"ゴアの教会と修道院群","Churches and Convents of Goa","고아의 교회와 수도원",{"id":55,"nameJa":56,"nameEn":57,"nameKo":58,"category":12},239,"パッタダカルの建造物群","Group of Monuments at Pattadakal","파타다칼 기념물군",{"id":60,"nameJa":61,"nameEn":62,"nameKo":63,"category":12},240,"カジュラーホーの建造物群","Khajuraho Group of Monuments","카주라호 기념물군",{"id":65,"nameJa":66,"nameEn":67,"nameKo":68,"category":12},241,"ハンピの建造物群","Group of Monuments at Hampi","함피 기념물군",{"id":70,"nameJa":71,"nameEn":72,"nameKo":73,"category":12},242,"アジャンター石窟群","Ajanta Caves","아잔타 석굴",1782463007337]